About 3 years ago, I had a mental break and was diagnosed with schizophrenia During the mental break I tweeted lies about Brenda Lawrence, then congresswoman of my district, to whom I haven't really apologized. Also, I was just generally angry and paranoid toward people trying to help me. I was particularly surly towards the medical staff at the mental hospital I was in. I am currently on medication and haven't suffered a break since but after all of that I couldn't really go back to normal as if nothing happened. I also wasn't sure how I should apologize or even if.
After I started taking medication, I decided maybe I needed to "touch grass" some and realize not as many people read my Twitter account as I think. Maybe the best thing to do was just to stop tweeting and blogging for a while and not drag people into my bullshit. I'd also be lying if I said I wasn't afraid of how all of that would help me find a normal job.
While some of all that was writer's block it's been around 3 years and I find I want to get back to writing. And the first step is taking responsibility for my failings.
Love, Death and Robots volume 1 was really good but each return to the anthology has had diminishing returns. Specifically, volume 1 had twists that would turn each preceding story on its head leaving the viewer wondering what they had just witnessed.
That's not really the case in volume 3 which is overall more predictable, more "what you see is what you get."
It still looks gorgeous, but it no longer feels as if each short justifies its own existence.
Then again maybe it doesn't have to. Each short is still watchable even if I can't help but compare it to the absolute surprise and surprises that comprised volume 1.
The best short of season 3 is probably "Swarm" but as soon as it's done introducing its premise becomes obvious about the direction it's taking.
David Fincher's "Bad Traveling" feels like it has to be more than it is only to reveal at the last second that it is.
In a vacuum, volume 3 is watchable, especially considering its format and runtime. Each episode is only about 15 minutes long and there are only 9 of them. All in all, each season is about the length of a good movie. But it feels as if the potential of the first volume has been lost.
So I found I really like The Imperial Radche series. And of course, when I finish a book, or movie, or game I like I surf the internet to see what other people thought about it and they hated it.
Well, that's overstating the case. What attracted me to the book, other than the algorithm is that it won a ton of awards. But it is a case where at least anecdotally there is a dissonance between the critics and the general audience.
In the end, I don't particularly care. There are millions, hell trillions of stories and I don't personally believe in the universality of those stories. If I were 15 years younger maybe but I'm long past the age where I feel compelled to force the world to like everything I like.
Still, I'm finding a lot of the things that other people disliked are things I specifically liked. And that's worth examining.
It's Boring
It's not the most interesting thing about the story but it's worth mentioning, many of the major conflicts in the story aren't solved by a big battle. This is a story where a lot of the action occurs by talking. And I kind of like that. There are plenty of stories where the heroes win by killing the bad boss at the end. This is more a story of diplomacy.
Yes The Book Has Progressive Politics and That's Okay
It doesn't matter now but this book was a target in the backlash against progressive politics in science fiction and fantasy. This isn't 2014. By now everybody knows the sad puppies are stupid. But I've still seen the sentiment and people trying to defend the book by saying it's not that political and progressive and...
Look the third book has a B plot where a couple breaks up because one of them can't wrap their head over what a microagression is and getting back together when that person learns to "check their privilege".
If you're argument is that this book is apolitical you're wrong. Subjective truth, power to reader, death of the author yada yada... you're wrong.
And this bothers me specifically because people "not seeing race" or gender or sexuality. Is kind of a button for me because not seeing it gives them license to act abhorrently in regards to those things.
So when not just this story but ANY story stands up and says, THIS. THIS is what I'm about when it specifically is about people being blind to those things I find it particularly infuriating.
So like the Fifth Season, Imperial Radche is about personhood. I want to be careful about saying it's about racism even though it is A LOT of science fiction and fantasy is about racism. And a lot of it is done badly. Racism isn't bad because racism is bad. Racism is bad because it SUCKS BALLS for your humanity to not be recognized.
It is a story about a sentient machine slowly discovering it has feelings, and then asserting to the powers that be that those feelings are valid and should have been considered even within the framework of its own actions.
Gender and Language
So one of the things that turns people off of the series is that it uses feminine pronouns for all genders. I don't think that ALL of the backlash against this creative decision is misogyny. It is a decision that does make the book harder to read. But it's also a show don't tell thing.
Part of how the book explores the concept of personhood is through exploring how language can restrict or expand thought and expression. The book goes through GREAT pains to explain how in the language most of the characters speak the word for civilization and the word for citizenship to the dominating nation-state are the same implicitly making ANY conversation either the nation-state, "citizenship" or "civilization" implicitly exclusionary.
English doesn't really have a gender-neutral singular other than "it" or "one" which have their own implications in a story about personhood. The language itself forces people to make presumptions about gender. And the book is trying force the reader to confront that. To confront how the language itself can force them into certain thoughts.
Like I said this is a book where a lot of the conflicts are solved or even initiated through talking and as such both the audience and the characters are conditioned to understand implicit statements. How someone chooses to dress, or stand, the exact wording of a statement, what's not said and even what can not be said because neither the language nor the mental framework of the participants in the conversation to adequately describe something sometimes something important... like personhood exists.
So Infinity Train is back. It was one of the best new animated shows of 2019 so I'm really excited to see where it goes. In case you don't know the basic premise is that kids are whisked away to a magical train to deal with their "issues" via puzzle challenges designed to teach them something. Which sounds kind of like every other kid adventure story except that Infinity Train sticks to its guns. These are kids with actual issues that could cause them to turn to the dark side if unchecked, no matter how likable they are now and the train IS... NOT... SCREWING ... AROUND in its quest to beat some sense into them before things go south.
I don't want to get too heavy into spoilers but the interesting thing about season 3 and why I'm so excited is that we were introduced to this season's protagonists as minor antagonists in season 2 who have utterly refused the train's guidance so this season it's going to be a heavier lift to redeem them than kids who already feel kind lousy about whatever is screwing with their heads and just want things to shake out alright.
Like I said I don't want to get into spoilers. While each season of Infinity Train tells a complete story the episodes themselves are really short. So short that just giving a description kind of gives it away. Hell, it takes season 1 like two or three episodes to explain the logic of the train and even then the season has a few plot twists that turn everything on its head making it so that even talking who the main characters of season two creates a giant spoiler.
...Okay so it happened slowly but surely. I burned through most of the new TV shows and movies wanted to watch on streaming. Production schedules are screwy right now on top of the fact that I've just been watching more lately... for reasons. I got a free subscription to audible and rekindled my habit of reading.
A Word on Audiobooks
It's been a while since I've gotten new physical books but for a while, I've been subscribed to Tor's free ebook club. What I've kind of found is that I just don't have the attention span I used to so while I have a lot of books a lot of which are good I haven't really worked through them.
Part of what got me into reading as a child is that at school there would just be long spans of time where I couldn't do anything else, attendance, the bus, latchkey. As an adult, I think it's even stupider but a lot of my teachers could never just say do whatever the hell you want as long as you don't bother anybody during times like that. To be fair to them I've taught, well substitute taught and there is just some stuff that's a bad look. Anyway, they did tolerate the quiet kid reading stories about alien invasions.
Aside: Don't watch the Animorphs TV show. The closest filmic thing to what the books "felt like" is The Faculty, which is probably why to this day it's my favorite horror movie.I was already primed for it.
But that's not now. I've got a computer in my pocket whenever I go out and these days again for... reasons I don't go out much at all. There is enough to do that books aren't really my only option anymore.
That being said I've found it's easier for me with audiobooks. With an audiobook, if I get distracted for a minute or two or start dooffing around on my phone in the slower bits it seems less like a big deal rather than reading print where the story stops when I stop, though I know that may come off disrespectful to the writers that the story may not have my full attention.
The speakers on my computer were busted and I never really had the cash to spend to fix them so one of the first things I did with my COVID-19 check was to get some new speakers and fix a few other things that bugged me about my computer.
It took me a while but eventually, I started to think about all the stuff that I would have liked to do them and audiobooks made the cut.
I Love It But... It Can Suck
I love science fiction and fantasy and have for a while. They are my genre of choice. But specifically with fantasy. It annoys me how everything comes back to white people. The default setting for fantasy is medieval Europe and while for the most part, I can get into that grove when I want to annoys me that a genre whose name derives from its infinite possibility consistently excludes other histories and other stories. I made the decision that if I get back into reading fiction regularly I would try to make the effort to read more black science fiction and fantasy writers.
This is to say that while I did and do read other stuff today at least I focusing on stuff from Black authors.
It's not the first book I picked up but it's been on my list for a long time. Fantasy as a genre is in the shadow of Tolkien who loved the old stories and used them to make new ones. As I said it annoys me that at least until recently I didn't really see a lot of stories doing the same with other old tales, at least ones that aren't from Europe.
This one does.
You might want a quick primer on Yoruban and Caribbean folklore.
Both of these series by the same author are good and are worth reading but The Broken Earth Trilogy feels as though it's a ground-up reworking of the Inheritance Trilogy which is why I think they work better together than as a single read. Both book series feature peoples that seem alien as major players to the plot. The Inheritance Trilogy is more so ABOUT these peoples than the Broken Earth. And so it takes a bit longer to get into the heads of these people though once you get into the grove it's not hard.
As a result, I think The Broken Earth is the more accessible read since it's the characters at its focus are a little bit more relatable. And then once you get used to the idea that these are still people, which is part of the point of both series, come back to The Inheritance Trilogy.
I read these as e-books and I still need to read the third book in the series. They are shorter than everything else I read... which is good. I like N. K. Jemisin but at least the stuff of hers I read has been big and epic with both The Broken Earth and Inheritance Trilogy taking place of thousands, in the case of The Broken Earth Trilogy tens of thousands of years.
The scale of those stories can get ... exhausting. So I was and if I'm being honest still am looking something smaller and more intimate. For that Binti is a good start. But... it feels very much like it's written for a younger audience.
Which isn't bad but sometimes does take me out of the story.
Other Notable Mentions/Stuff I'm Thinking About
Lillith's Brood: I've read Lilith's Brood before. In fact I consider it to be the most complicated, densely intellectually packed novel I've ever read. I kept stopping to just mull over what the main character said for a bit. It's a book of ideas. N. K. Jemisin's writing style kind of reminds me of that and it has similar themes of change and imperialism so I kind of want to revisit it.
Midnight Robber: Brown Girl in the Ring was Nalo Hopkinson's debut. When I read writers talking about writing many are jaded by the fact that their first novel defines them when they've grown (mostly I'm talking about William Gibson and Neuromancer) If I find an author I like I kind of feel I owe it to them to give later stuff a chance and a lot of people have said that Midnight Robber is a better book.
Children of Blood and Bone: I know next to nothing about this one but it keeps showing up in my recommendations.
So yesterday was there was a big giant protest at the capital about Governor Whitmer's various executive orders and my initial reaction was. Ehem.
DO Y'ALL WANT TO DIE!!! HELL DO YOU WANT ALL OF US TO DIE! WHAT THE HELL ARE Y'ALL DOIN'. STAY THE HELL HOME DAMN IT!!!
But then I calmed down. And realized once you scrape away the trumpisms, and confederate flags, and the guns, they do have a point.
Not being able to work for a lot of people means not being able to pay your bills and that sucks. I want to be clear. I'm not talking about the cult of work where people just want to "get back to normal" and start "doing stuff again". I mean folks where the disruption caused by COVID-19 will have serious life-altering consequences. Folks who can't buy groceries. Folks who might lose their cars. Folks who are worried about their kids dealing with permanent losses to their educational attainment.
The best way to mitigate that is finding ways to essentially "pay people to stay home." For a lot on the right paying people not to work is anathema. So I doubt we're going to get the response we really need to encourage the types of behaviors that would create optimal public health outcomes. But I can think about it.
I can think about UBI. I can think about paid sick leave (without the loopholes). I can think about college debt forgiveness. I can think about medicare for all. I can think about paycheck protection. I can think about a national moratorium on utility shutoffs and evictions.
And I want to be clear a lot of these things this pinko scum supported before the pandemic.
But then the question always becomes how do you pay for it.
Increasing the National Debt
My feelings on the national debt have been chiefly influenced by the 2008 financial crisis where a lot of economists I trust have stated that due to the politics of the era politicians didn't go far enough when it came to using public spending on programs to fix the crisis. There were lots of reasons for this but one of them were of debt hawks.
This is 2020 not 2008 and thus far I haven't really heard much from anybody on that front but generals always fight the last war. The real risk of national debt spending has nothing to do with moral imperatives but rather the risk that interest payments will crowd out other government spending in a death spiral that collapses the public sector.
To that end increasing the national debt to mitigate a larger or more immediate economic crisis is a good investment and just common sense.
Cutting Spending ...I live in Michigan. The last decade of public policy in this state has been robbing Paul to pay Peter. I honestly believe that there are not many more places to cut money from both the federal and state budgets that will not be felt. If not immediately eventually.
This is going to be a long crisis. The government is going to have to do a lot. And I have a fear that eventually to get anything done the representatives in both levels of government are going to ask for spending cuts in other areas. And I'm going to hate it. I'm going to hate it so much.
Raising Taxes
I have a firm belief that taxes are the price we pay for civilization. At the same time. A lot of people are hurting right now. Time for some wealth redistribution.
So I am in favor of essentially progressive tax reform (and a UBI) that would lay the burden of paying for this emergency on the people most able to do so without harm.
But I am also aware that those people are the most capable of utilizing and mobilizing the systems of economics and government to not do that.
Furthermore, the last few years have turned me into a jaded cynical bastard. We are not a society of self-sacrifice for the greater good. I wish we were. We are not.
So for the past couple of weeks I've been trying to get back into playing Magic the Gathering. Extra Credits came out with a couple of episodes about how to play and it got me interested in the game again, though I was mostly there already. For the most part that's meant that's been me trying to get back into the lore or the game, write out cards I like, and figure out what is the basic deck tech would and could use in standard. Basically, I've been mapping a lot of stuff out in my notes.
But I've also tried getting into Arena and I think I kind of hate it.
How Did I Get Here
Before I get started I kind of want to be clear that I don't think Arena is a necessarily a bad game but I don't like my personal experience with it and will probably drop it. Which is to say you very well may have a blast with Arena. I just didn't. And a lot of that has to do with the void left by Magic Online 3.0.
Okay so in college I played the hell out of Magic Online. I was slowing down a bit after I graduated because I couldn't afford new cards but I hadn't really quit the game until Summer 2014 when they forced everybody to switch to Magic Online 4.0 and I just could not reliably get it to work on my computer. Eventually, I did but I never got back into the nearly daily habit of playing the game mostly because even when I got it working again I was broke and couldn't afford new cards. A couple of times I tried playing with my old stuff but getting anything past standard going in constructed casual Magic Online these days is hard. I should probably start a playgroup or something but that's beside the point.
Why Do I Play
Some of my difficulty of getting into Arena but not all it of has to do with the fact that Arena doesn't really deliver on the things I want out of my Magic game.
Lore
Before I even started playing the actual game I read The Brother's War. For those who don't know it is a novel based around the lore of the Antiquities set. Part of me is sad that Wizards has basically given up on novels but that's another post. The point I like to build decks that represent an aspect of the story Magic the Gathering.
We're closing from a third Ravnica block but I can't really play any of the older Ravnica cards in this app. So while I can make a red-blue deck I can't really make an Izzet deck. And the same goes for Dominaria, planeswalkers and tribal decks in general.
Deck Building
So honestly I mostly play the game as a way of testing and iterating interesting deck ideas. The interface of Magic Online blows in a lot of ways but deck building ain't one of them (with the exception of stats. 3.0 let you see your deck stats. but I like their deck builder. I hate Arena's. To be fair I didn't spend much time with it, but I couldn't find a way to easily remove multiple cards in a deck at a time. So, for instance, the thing that broke me is I decided to splice blue into a green and white deck because I wanted a card draw. And it was a nightmare taking lands out so I could have space to add blue mana, and worse when I changed mind and wanted to change the deck back.
Moreover, Arena is really grindy. I've been playing for a few days and at the rate, I'm going I don't really think I'll have the cards to make a deck that passes what I call muster and play against actual people for a month unless I dump a boatload of cash into the game. I'm not even talking a super chase rare tournament deck either, just something that has the uncommon and commons I use for basic deck tech, the types of cards that in Magic Online are worth about a penny.
I Hate Those Animations
Honestly, I'm so hard up to get back into the game that I'm actually willing to put up with the other stuff but the game chugs on my P.C. I have an old as tar computer and half expect it from games. But this is a card game. All the bells and whistles are not inherent to the core experience in the same way for shooters and real-time strategy games. It's made all the worse because I'VE PLAYED HEARTHSTONE ON MY RIG FINE!!!! I didn't like the feel of it compared to Magic but it runs. My instincts are telling me that the reason for all the particles and animations that slow down the game on my rig is that Wizards wants to compete with Hearthstone. But you know what? Hearthstone runs on a cell.
To be fair it's still in beta but as it is I kind of hate Arena.
So for a solid week everybody was talking about how Kamala Harris challenged Joe Biden on race and at least at the time my take was what were you expecting. For months we've all known what Joe Biden's Achilles heel is. He's an older politician who's been around forever and over the course of his career has said and done some stuff that the new guard finds distasteful at best and repugnant at worse.
What's actually surprising is that he didn't see it coming. From where I sit, something like this was virtually guaranteed to happen and Joe Bidden was to have memorized "the speech".
"That was 40 years ago. I've seen other perspectives and taken in some new information. I was wrong and have I've changed my mind on that particular issue."
But he didn't.
And that he didn't sort of encapsulates the broader race as a whole.
You have a wing of the party which hates Donald Trump because they have an ideology and resultant policy goals based on that ideology that has been very slow to have been enacted even before Trump was elected and since then has ground to a halt and another wing of the of the party that hates Donald Trump largely because he brakes the machinery of state by being actively disinterested in said machinery.
And this was the rare moment where you had representatives of both of those ideologies talking to each other.
So the scuttlebutt is that Game of Thrones is going to botch the landing tonight. And I have feelings about that, mostly surprise that I really don't. The truth is that while I understand folks' frustration, as far as unsatisfying television turns go Game of Thrones wouldn't make my list. For me it's still watchable. Maybe not as good as it could have been, but still a decent way to kill time on a Sunday night. Here's what would make my list of good shows that went to crap fast though.
Lost
Is it as bad as Lost? 'Cause it's not as bad as Lost.
So the first season of Lost is good but unremarkable, Survivor but if Survivor actually had writers. The second season though is nuts. It was the middle of the writer's strike and whoever was left threw spaghetti on the wall. There were some interesting moments but as a whole, the show was an incoherent mess.
Then the back half of the third season managed to pull a minor miracle and actually explain all the weird stuff that happened. The island is actually a temporal anomaly. The fourth and fifth seasons were about exploring a place where time doesn't work the way you think it does.
The sixth season pretty much junked every interesting thing that was happening in the show by that point just to answer a bunch a fan questions and theories that had long since stopped being relevant when the writers had a clear answer to shut everybody up.
Time Travel is a hell of a drug.
Heroes
The first season of Heroes is tight. Everything and I means everything that happens gets tied to the main plot. The second season also got tied up in the writers strike but it's just rushed. There are still a lot of good ideas in there they just aren't executed well, the third on the other hand, oh boy.
Mostly it's the character inconsistencies that bother me. Everybody got hit with it but the worst is Mohinder.
He's the series smart guy. Sometimes that's good. Sometimes it's bad. But Mohinder doesn't act rashly... until he injects himself with untested drugs so the writers have an excuse to turn him into the fly.
Once Upon A Time
I ...
....
Uhh
I don't hate Once.
I kept coming back to it but every season there would be at least one big thing that turned me off. But there are two big ones.
The first was in season 3B when they brought back Rumplestiltskin. Season 3A is his redemption arc. Really to be honest most of season 2 is that as well. And his arc in season two is his slow realization and acceptance that he can't be the good guy. At least he can't be a straight hero which is what he wants. His death speech is all about accepting that and doing something worthwhile anyway and it was the best closure that character was ever going to get.
I don't know why but I never really gravitated to Star Trek as a kid but I did watch a lot of stuff that was, "Star Trek" adjacent. And Andromeda is basically a grittier Star Trek where The Federation has fallen and instead of being a naval crew comprised of the best officers in the sector, the cast is a bunch of ragtags brought together by chance and the promise of a big score.
Part of what made Andromeda interesting was that most of the crew were self-interested. They all had relationships with one another but at the end of the day, they all had secrets and ulterior motivations for staying on the ship. This ain't about the power of friendship and they all knew that.
Specifically Tyr. whose defining characteristic was that "Tyr only does what's good for Tyr". The characters understood it. The audience understood it. Evidently, the writers didn't understand it.
Season 3 turned him into a cackling bad guy. And I hated it so much. To be fair a lot of season 3 doesn't bring it up so it's watchable. The actor just isn't there after his character's sudden but inevitable betrayal. But in the series finale, he comes back basically as a Disney villain and I hated it so much.
So, Colbeck's war on social studies is something I find infuriating, largely because districts, schools, and teachers, have to make value judgments in the material they elect to pass on to students and value judgments are a key part of political judgments.
Colbeck's not wrong to point that out and pull away the curtain. I disagree with which way the needle swings and I'll get to that but if he just dropped the mic at the assertion that what kids are taught in schools over time can affect their political ideologies as adults and as such we need to be cautious as to preserve their right to choose what they would believe nobody would argue.
But then I start reading about the things he actually doesn't like.
What Are Core (Democratic) Values
There are the rules and then there are the rules. What's more important than respecting a dead piece of paper, or even the system of is government it created is respecting the revolutionary ideas that it represented. Those ideas are the legacy of the founding fathers that we pass on to our posterity.
Those are core democratic values, the slow forward march against the rule of a dictator who could bar the doors of parliament and disband his country's legislature at whim. Those values did not start nor did they end with a single document least of all not one written by the United States but rather centuries of ongoing ever continuing debate about what constitutes the freedom, what constitutes power and the relation between the two and from where they derive.
So Colbeck and to be fair much of the Republican party feels the government should not be responsible for equality of outcomes. I disagree but that is not the point. That is a larger and longer discussion. The point is that Colbeck is wary of the implications of the word equality and as a result wants to narrow the context of its use.
And I hate it.
When politicians argue over equality they are arguing over what seems to me to be implications of the ideal and this is no different. If we are all created equal does mean we should be all afforded by birth the same, rights, protections, privileges, obligations and opportunities under the law. If that is the case we have a long way to go on that score.
So after getting bored and cracking the tape on a free trial of DC Universe, I binged Titans and... I have no idea how I feel about it. So let me work my way through it.
The Good Stuff Dick Grayson
So a common interpretation of Dick Grayson (Robin I/Nightwing/Batman but not that Batman) is that he is Batman (sometimes literally) if Batman were well adjusted. He's Batman if Batman was able to move past the death of his parents and have a life outside of the pain of the worst moment of his life.
I like the idea of showing that getting him to that point was a process. And I really like the idea the impetus for the Nightwing persona is that he's realizing he's starting to act a little too much like his mentor for his own comfort, showing that those differences are a deliberate choice on his behalf.
It's an interesting take on the character that I like.
The Supporting Cast and Cameos
Almost every interesting character that the audience doesn't have to stick around with for the duration is gangbusters. Hmm, it's like they're from another show or something.
Starfire
Yeah, I got stuff to say about the costume but I actually really like this version of Starfire especially once the show reveals what's actually going on with her. It's a bold choice that makes sense given the character's background and history.
On the other hand, it's the penultimate episode when they drop those bombs.
Shrug (I'm Still Processing How I Feel) Deconstruction
This show is very much in that Kick-Ass deconstructionist place of showing why it would suuuuuuuck to actually be a super. And if you're main exposure to these characters is either of the cartoons it's going to be jarring. I think what they do with the Robins makes it worth it, but if you're tired of gritty DC superhero deconstructions and just want hero classic this ain't your show. Raven
So the vast majority of the plot deals with the Trigon arc which is probably either the second or first most well-known story arch of Teen Titans. But they make one big change and how you feel about the show is going to depend on how you feel about the one big change.
Raven is a normal kid.
Yes, she has powers but when stuff starts happening she knows jack all of the Trigon business.
She's just a normal kid, when... stuff starts happening.
I don't hate the change but it does mean this character is fundamentally different from any other version. It didn't bother me enough to drop the show but sometimes it could be jarring when it's plot relevant that Raven doesn't know what's going on when in almost every other telling of this story she's the only person who does.
The 90's Came Back
The show very much has the feel of a 90's prime time genre show, especially for the first few episodes. I actually like 90's primetime genre shows. They had cheesy campy sincerity that I can't help but respect.
But I also have no illusions that said campy sincerity could come off as unnaturalistic and disconnected from reality. (Sorry Buffy)
Raven's Mom
This is going to take spoilers. In almost every other version of the Trigon story I can think of Raven's mom is one the angels and is often showcased as THE reason why Raven doesn't just let the world burn.
Raven is traditionally one of those characters where it's very clear that for want of a nail she could have gone "the other way" and joined "the other team". But she doesn't largely because of the influence of her mom(s) and I don't know how I feel about taking that away from both of them.
The Bad Stuff F/X
The effects get better as the show goes on, but it's very noticeable when they don't work and they very often don't work.
Hawk and Dove
So they reimagined Hawk and Dove in about the darkest way I can imagine short of going full-Watchman with it and I literally do not know how I feel about that There are a lot of moments with them that have emotional depth but there is one scene that has politics I disagree with so profoundly that it changed how I was perceiving these characters up until that point.
They may not be the bad guys but they sure as hell aren't the good guys the story thinks they are. Going back to the Watchmen example Watchman knows The Comedian is an asshole but this story is damn near convinced that Dove I is a saint and I'm sorry, no. No, he's not.
Starfire's Costume
I kind of hate Starfire's costume. It is just jarring and distracting for the whole thing. I don't hate the actress or the character. But, man I hate that costume.
On the other hand, Starfire has one of the most stripperific costumes in all of comics and there is no way to make that work. The costume needed to be redesigned. I just don't think the redesign works.
Everybody else is running around in relatively normal streetwear, at least until the Robins gear up, then... "Last Dance". Even the sorceress supreme is rocking a goth hoodie that wouldn't be given a second look in any high school cafeteria.
All that having been said, it doesn't excuse the bile that's been thrown the actress' way.
I Hate Cliffhanger Endings
Season one ends on a cliffhanger and I kind of hate it. My view of television writing is that the season finale is supposed to be a bookend. It shouldn't end the story but should leave things in a satisfying place. This season finale isn't satisfying. It's made worse by a bunch of obnoxious ads DC has been running that have basically been lying to the audience about what the episode is about. Dear god I hate those ads. Because that scenario they're selling does not make sense within the context of the story and as such it does not have the dramatic weight those ads are selling.
...
Screaming spoilers ahead Batman!
It's all in his head. The entire episode is taking place in Dick Grayson's head.
Jason Todd didn't get wounded in action, permanently losing his ablity to walk
And for that matter Batman also sure as hell didn't decide to actually ace him anyway.
Or kill cops
Jim Gordon isn't dead.
AND DICK GRAYSON DIDN'T KIL... FIGHT HIS SURROGATE FATHER!!!!!
THOSE ADS ARE LIES!!!!!!! NONE OF THAT HAPPENED AT LEAST NOT IN THE STORY PROPER!!!!! HELL NONE OF THAT COULD HAVE HAPPENED IN THE STORY PROPER!!!!! I HATE IT SO MUCH!!!!!!
They took an entire episode, their LAST episode of the season just to take a break from all of the interesting stuff going on just so they can say ROBIN'S FIGHTING BATMAN! But surprise. It's all in Grayson's head and I was pissed. Like if they actually had the balls to go there and have Dick Grayson decide Batman needed to be put down for the sake of Gotham that would be one thing. It's very in line with his character arc. It does interesting stuff with Jason Todd.
But it's very obvious this vision in his head and ultimately does not matter to the plot which just kicked into high gear. The show was teetering on being good and they finale got there with all the pieces being in place for a blowout and they wasted their last episode of the season.
Note: I deleted a link in this post to what I thought was just a movie quote not realizing that it had been edited near the end with a clip video of a real-life fight. I'm sorry I did not mean to do that.
So I saw Ready Player One and it filled me with disappointment, not rage, not anger but disappointment.
I didn't hate the movie but the more I rolled it around in my head the more I realize within it's bowels it had the potential to be so much more than it was.
I think a lot of that maybe a result of going into the movie with expectations of emptiness. I've only recently seen the movie but the internet is my playground. I was around when it was the big new thing to talk about and I didn't escape, "the dialogue" which centered around the book, which to be fair I have not read, having not much more than an excuse plot to take the audience on a walking 80's nostalgia tour.
And to be fair the movie is an adaptation. Elevating it any further than Spielberg already did would probably lead to something completely unrecognizable as Ready Player One but still, as it exists there are some many plot threads, characters, and ideas that the story could have explored and chosen not to.
Welcome to The Bad Future
As I ruminate I think of all of the wasted opportunities the movie had to be better but the worst is it's ending which almost makes me want to beat up on Spielberg as an old man who doesn't get the internet and maybe shouldn't have put in charge of a movie fundamentally about how we use technology... and then I remember he directed Jurrasic Park.and Minority Report, a movie that might as well be named "The Hubris of Silicon Valley"
If the man really wanted to create a polemic about the dangers of technology in the modern world even with his usual brand of humanistic optimism he could have.
Okay for those of you who haven't already seen the movie, the characters are about the future of and fighting in what is essentially a futuristic version of the internet.
And the movie has a golden opportunity to forge its creed about what the internet is, can be, and should be and its coda is... "the internet isn't the real world"
And that message seems so... 2002.
The movie goes through great lengths to signal to the audience that it's setting is a dystopia, that something has fundamentally broken down in society. It's not just that the characters we are following are poor the entire world is poor, the entire world is broken.
Regardless that message as executed by this movie depends on believing that there is an online-offline binary I believe doesn't really exist anymore. The internet is nothing more than a highly advanced communications tool and most of it's problems are the same problems that exist in any communications tool.
Offline people act on the information they obtain online and vise versa.
Reference as Language As mentioned I did not go into this movie blind and that caused me to lowere my expectations. I find the movie disappointing not because it's bad, but because as it went on I found myself becoming more and more invested in what could have been a pretty interesting commentary on how people use technology to communicate ideas in the modern world.
I am not the first or even the only person to point it out, but the movie doesn't really do anything with its references. My understanding is part of that was to fix the book where some members of the audience found the main character's narration explaining all the references obnoxious.
All the same, I would have enjoyed it if the references were used to communicate ideas the audience which is quite frankly how a lot of internet pop culture reference is used as a short to communicate complex thoughts and feelings via association with understood concepts.
Say Something, Anything!
I started the day I watched Ready Player One player one intending to binge Future Man and drifted off somewhere else. Don't ask. My life is complicated. But I couldn't help feel that Futureman does essentially what Ready Player One tries to do but better.
Future Man is essentially a series of extended plot references to 80's movies. But nearly every movie it references it also deconstructs and comments on the culture that birthed it.
P.S.
By the original purpose of this post was the to try to literally answer the question, is there a better version of this story which has so much potential", rather than writing a review. The more I thought about it the more I realize that Anime has explored the thematic territory of Ready Player One for years. Watch Lain, .Hack//Sign, and Paranoia Agent, hell half Satoshi Kon's filmography really.
